Browser prefixes are required, but Lea Verou can help you with that. In other words, we can honor its meaning through its design. So, please put your canvas element and data visualization API to one side just for a short while. Because no indentation is required for the first paragraph — why pause before we’ve even started? Not efficient algorithm. In fact, the perfect paragraph is unassuming to the point of near invisibility. One of the advantages of Verdana is that it is a “well-hinted” font. Only the true nature of each letter shines through. With these examples and most alignment, the text is aligned in the element containing the text. Does the font include all of the necessary bold, italic (or even better, semi-bold and bold-italic) styles? The StringFormat class makes it fairly easy to left justify, right justify, or center a line of text, but strangely it doesn’t provide a method to fully justify a line of text (so it extends all the way to both the left and right margins. I love Crimson all the same. The point of text is to be read, so don’t sacrifice that just to have some crisp lines along the edges. CSS provides several properties that allows you to define various text styles such as color, alignment, spacing, decoration, transformation, etc. Without conscious effort, the reader might miss or reread lines. Even if a page layout program is using subtle letter-spacing, or adjusting the width of the letters – these things, too, will make the texture uneven. This small unfortunate glitch is distracting and slightly detracts from a comfortable reading experience. by @kadavy. Your choice of font is important, but the kind of “family” you choose is project-specific, and we won’t discuss it here except to make one point: the conventional wisdom among Web designers that only sans-serif fonts are suitable for body text is just a rule of thumb. It is a bit pricey (two scripts at a total of 72 KB uncompressed just for the English implementation), but it does work. Now that we have dealt with the important business of sizing, setting and distributing our paragraphs compellingly, you may wish to apply a few small enhancements and decorations for the purpose of signposting the document. text-justify: auto. Instead of saying “who?” the owl outside your window gasps, “huh!?”. It is worth noting that, although a line height of 1.5 is fairly dependable, not all fonts are made equal. Good typography does justice to your words, and good wording does justice to your ideas. The following code shows how to set text align to justify to paragraph. You may employ more than one typeset – say for headings and paragraph text. To achieve this, you can create a special CSS class and wrap the first letter with this class. A diminutive x-height, for example, could impair the readability of a font from either camp. Because we have made sure so far that all of our measurements are co-dependent and relative, altering the font size for the body (all the way up at the top of the cascade) will not damage the page’s vertical rhythm. Currently only IE /Edge supports this property (with a prefix), however Safari does support hyphenation character limits using some legacy properties specified in an earlier draft of the CSS3 Text Module. Although serif fonts, with their greater complexity, may tend to be less effective at small sizes, there are many other factors to consider. We often express 16px as 100% in the declaration block for the body in our CSS reset style sheets. So all test paragraphs have that style. To avoid the unsightly gaps caused by justification, sophisticated page layout programs use a variety of factors – hyphenation, spacing between words, spacing between letters, and even slightly wider or more narrow versions of the font – to balance each line of text. I’ve saved my snooty designer reason for last. It will be one less question to ask yourself in the already limitless world of design. Kerning is the process of adjusting the space between individual letters. Choosing a comfortable measure is important for usability, because if lines are too long, then scanning back to find the start of the next line can be awkward. By controlling the values of the padding and the margin you gain full control of the spacing around your paragraphs. It’s evident in the very way that new elements such as article and aside are named. The trick with leading is to avoid adding too much: text with lines that are too far apart appears fragmented, and the intent of a judicious use of leading is undone by a negative result. In fact, you can revert to manual hyphenation in a document set to hyphens: auto by using the hyphens: manual override. & programmers learn web design. The clarity of the font shapes:the text must be easy to read at any size. 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